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2013.10.10 Thursday, 文 /

展览观:“软以象外”

这是中国艺术家才有的方式——这并不是外国进口。遗憾的是,这也只能算是中国美术馆的标准软实力艺术处理方式,它为整个展览蒙上了一层阴影。
 
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Interviews, 2020.12.16 Wednesday, 文 /

(English) Ashley Bickerton
Seascapes At The End Of History

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多
Interviews, 2020.04.23 Thursday, 文 /

张培力《关于强迫症的年度报告》(仁庐空间)

(English) This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> 更多
Interviews, 2020.03.07 Saturday, 文 /

(English) Mira Dancy, France-Lise McGurn & Clare Woods
Simon Lee Gallery, New York

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> 更多
Interviews, 2020.02.08 Saturday, 文 /

(English) Mira Dancy, France-Lise McGurn & Clare WoodsSimon Lee Gallery, New York

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. >> 更多
Interviews, 2018.06.23 Saturday, 文 /

“飘渺机器”
臧坤坤·陈国良
Mai 36 画廊和大田秀则画廊

Mai 36 画廊和上海大田秀则画廊荣幸地呈献中国艺术家臧坤坤与新加坡艺术家陈国良的双人联展“飘渺机器”。 >> 更多
Interviews, 2018.05.03 Thursday, 文 /

乔丹·沃尔夫森:内河船之歌
卓纳画廊,纽约

(English) David Zwirner is pleased to present the United States premiere of Jordan Wolfson’s most recent video work, Riverboat song (2017-2018). >> 更多
Interviews, 2018.04.13 Friday, 文 /

道格·阿提肯,“新纪元”,303画廊, 纽约

303画廊于2018年4月13日至5月25日,呈现道格·阿提肯名为《新纪元》的新装置。 >> 更多
Interviews, 2018.03.20 Tuesday, 文 /

“共享叙事”
香格纳北京S空间

香格纳S空间是香格纳画廊设立的一个特别项目空间,“S空间”将根据不同的策展概念,不定期、不固定地点的为艺术家和策展人举办展览项目。此次S空间位于香格纳北京,将于2018年3月22日推出策展人缪子衿策划的群展——《共享叙事》。 >> 更多
Interviews, 2018.02.06 Tuesday, 文 /

(English) Station Paradox

(English) This exhibition is a dialogue between artists from Korea and from Berlin working with painting, video art, installation, and performance. >> 更多

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